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Trigger Warning: Short Fictions and Disturbances, by Neil Gaiman
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Multiple award winning, #1 New York Times bestselling author Neil Gaiman returns to dazzle, captivate, haunt, and entertain with this third collection of short fiction following Smoke and Mirrors and Fragile Things—which includes a never-before published American Gods story, “Black Dog,” written exclusively for this volume.
In this new anthology, Neil Gaiman pierces the veil of reality to reveal the enigmatic, shadowy world that lies beneath. Trigger Warning includes previously published pieces of short fiction—stories, verse, and a very special Doctor Who story that was written for the fiftieth anniversary of the beloved series in 2013—as well “Black Dog,” a new tale that revisits the world of American Gods, exclusive to this collection.
Trigger Warning explores the masks we all wear and the people we are beneath them to reveal our vulnerabilities and our truest selves. Here is a rich cornucopia of horror and ghosts stories, science fiction and fairy tales, fabulism and poetry that explore the realm of experience and emotion. In Adventure Story—a thematic companion to The Ocean at the End of the Lane—Gaiman ponders death and the way people take their stories with them when they die. His social media experience A Calendar of Tales are short takes inspired by replies to fan tweets about the months of the year—stories of pirates and the March winds, an igloo made of books, and a Mother’s Day card that portends disturbances in the universe. Gaiman offers his own ingenious spin on Sherlock Holmes in his award-nominated mystery tale The Case of Death and Honey. And Click-Clack the Rattlebag explains the creaks and clatter we hear when we’re all alone in the darkness.
A sophisticated writer whose creative genius is unparalleled, Gaiman entrances with his literary alchemy, transporting us deep into the realm of imagination, where the fantastical becomes real and the everyday incandescent. Full of wonder and terror, surprises and amusements, Trigger Warning is a treasury of delights that engage the mind, stir the heart, and shake the soul from one of the most unique and popular literary artists of our day.
- Sales Rank: #11619 in Books
- Published on: 2015-10-27
- Released on: 2015-10-27
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .83" w x 5.31" l, .0 pounds
- Binding: Paperback
- 368 pages
Review
Praise for Trigger Warning: “Everything that endears Gaiman to his legions of fans is on display ... Full of all manner of witches and monsters and things that creep in the night, this collection will thoroughly satisfy faithful fans and win new ones—if there’s anyone out there left unconverted. (Kirkus Reviews)
“There’s much to revel in here, especially for those who’ve never read anything by Gaiman.” (Huffington Post)
“[T]his collection of stories and poems doesn’t disappoint....Gaiman has warned us about the monsters, but then come magic and miracles. And love.” (Washington Post)
“[Trigger Warning] showcases the breadth and depth of Gaiman’s talent and the unique plangent warmth he brings to fantasy fiction. He is never anything less than a pleasure to read.” (Financial Times)
“Gaiman’s is one of the most distinctive voices in modern fantasy.” (Locus)
“Gaiman displays an uncanny knack for compressing his expansive imagination into the close quarters of his stories’ caves, cottages, and creepy rooms....[he] takes full advantage of his wide range, and it makes for exciting, often musical writing.” (Boston Globe)
‘All of [the stories] are told with an assured, masterly confidence that should please anyone who misses seeing a new Ray Bradbury collection on the shelf at the library.” (Newsday)
“Gaiman calls the stories a “hodgepodge,” with no real interweaving theme throughout. But each of the stories and poems celebrates a different aspect of storytelling that has informed the author’s life.” (NPR)
“Trigger Warning is a comfortable hodgepodge of material ... but there’s enough serious-minded and deeply felt fantasy and horror to make readers hope that it won’t be almost a decade before Gaiman completes another similar volume.” (San Francisco Gate)
“[Gaiman]’s prolific, like Stephen King, and apparently inexhaustible: He dreams up stories as naturally as he breathes.” (Slate)
“Lovingly crafted...gleefully enjoyable.” (Bustle.com)
“[I]t’s the phenomenon of connecting mythology and modern life that makes Gaiman such a captivating author.” (Winnipeg Free Press)
“[T]his is not a ‘best of’ collection, though you’d be forgiven for thinking so at many instances, since Gaiman is, as always, a skilled storyteller.” (Tor.com)
“Neil Gaiman’s writing is so present, so engaging, that it can send spasms of bone-chilling terror through your body and your reaction would still be, ‘Please sir, I want some more.’” (Pittsburgh Post-Gazette)
“Each short piece serves as an exciting foray into some macabre microcosm of his mind. ...It’s a testament to Gaiman’s versatility that he exhibits so many different styles of writing in this single anthology.” (The Harvard Crimson)
“The short stories in this collection are shocking, disturbing, funny, insightful ... Trigger Warning offers a good introduction to the works of Neil Gaiman, or a delightful addition to the collection of someone who has been following him for a long time. If you’re a fan, don’t miss this one.” (Oklahoma City Oklahoman)
“There is something for every type of Gaiman fan here, and those new to his work will find this to be a solid introduction to the type of stories he crafts: lyrical, literary, sometimes quite chilling, and always strange and provocative. ...This is a book to savor and enjoy.” (Bookreporter.com)
“Those who want to greet and shake hands, or settle in for a conversational catch-up with Gaiman’s delightfully dramatic minstrel’s tale-by-the-campfire style will love everything in Trigger Warning, naturally.” (Booklist)
“Gaiman is such a powerful and evocative writer that almost everything he churns out serves to justify the aforementioned cultural triumph of fantasy literature over realism and modernism. Gaiman’s attention to craft, passion for language and profound respect for the mythological roots...come through even in his abbreviated prose fragments.” (New York Times Book Review)
From the Back Cover
In this wide-ranging collection of short fiction, Neil Gaiman pierces the veil of reality to reveal the enigmatic, shadowy world that lies beneath. This rich compendium includes previously published stories, poetry, and a very special Dr. Who tale that was written for the fiftieth anniversary of the beloved series, as well as the never-before-published American Gods novella "Black Dog," in which Shadow Moon stops at a village pub on his way back to America. Horror and ghost stories, speculative fiction and fairy tales, fabulism and verse—all combine to illustrate the strength and breadth of Gaiman's storytelling mastery and cement his reputation as one of the finest writers at work today.
About the Author
Neil Gaiman is the New York Times bestselling author of the novels Neverwhere, Stardust, American Gods, Coraline, Anansi Boys, The Graveyard Book, Good Omens (with Terry Pratchett), The Ocean at the End of the Lane, and The Truth Is a Cave in the Black Mountains; the Sandman series of graphic novels; and the story collections Smoke and Mirrors, Fragile Things, and Trigger Warning. He is the winner of numerous literary honors, including the Hugo, Bram Stoker, and World Fantasy awards, and the Newbery and Carnegie Medals. Originally from England, he now lives in the United States. He is Professor in the Arts at Bard College.
Most helpful customer reviews
43 of 44 people found the following review helpful.
More things in heaven and earth, Horatio.
By EA Solinas
The mind of Neil Gaiman is a fertile place of gods, monsters, aliens, magic lingering in ordinary places and a sense that the world is a much wilder, stranger place than we think it is.
And all those things come up in "Trigger Warning: Short Fictions and Disturbances," Gaiman's third collection of his short stories and poems -- while these stories can be as different from each other as humanly possible (an ode to David Bowie, a few twisted fairy tales, a historical story about a Scottish dwarf with revenge on his mind), they share a sense of magic and cosmic wonderment, misting through his elegant, versatile prose.
Among the tales here:
* "Black Dog," a story set a few years after "American Gods." Shadow is wandering through England on his way back to the US, when he meets a kindly couple who allow him to stay in their home. But the specter of a faerie dog brings death, mystery, and an ancient magic that could be fatal even to an American god...
* A Scottish dwarf asks a former reaver to help him find a certain cave, supposedly filled with magical gold. As the two men journey to the Misty Isle, the dwarf gradually reveals his true reason for being there.
* A haunting look at the old age of Sherlock Holmes, reflecting on the decay of the British empire and solving one final mystery.
* A timid young artist hears that his first teenage girlfriend has been in contact with some of the people he knows... and the problem is, he made her up.
* Jemima Glorfindel Petula Ramsey's questionnaire, and exactly what happened to her fake-tan-loving sister Nerys. Hint: it involves floating, glowing, claims of godhood and dark chocolate.
* A year's worth of mini-stories, involving ghosts, pirates, genies, preteen soldiers, vicious ducks, a brazier, a homeless kid, a mysterious string of bizarre deliveries, disagreeing parents, igloos made of books, Australian fires and what they create, and a magical ring that keeps coming back.
* A handful of poems, about chairs, landladies, Saint Columba, a witch who "hid her life in a box made of dirt," and the evil fairy from "Sleeping Beauty."
* A flea market seller who has a strange story of time travel, interdimensional rooms, ancient empires, tiny statuettes and a boy named Farfal The Unfortunate.
* Obediah Polkinghorn, the Uninventor, who has the ability to alter reality so that certain inventions (flying cars, jetpacks, the Wispamuzak) never come into existence, and what he does when he finished uninventing forever.
* "Nothing O'Clock," a Dr. Who fanfic (does it count as a fanfic if it's professionally published, and is by a man who has written actual episodes?), where the Doctor and Amy arrive on Earth... only to discover that it is devoid of humans, after being officially sold to the Kin. How to fix it? Go back to when it was first sold by an unwitting family!
* A pair of fairy tales retold in Gaiman's sensibilities -- an update of "Diamonds and Toads" set in a bleak, dreary urban environment, and "The Sleeper and the Spindle," a sort of mash-up of "Snow White" and "Sleeping Beauty," starring a queen who decides to rescue a legendary sleeping princess with the help of her dwarf sidekicks.
* And several other stories that linger on the fringes -- a "lunar labyrinth" that grants wishes to people who successfully navigate it, a love letter, a mother lamenting her son's horrifying death at sea, a pleasantly unimpressive mother who knows of interesting "adventures," a man struggling to remember the name of a great author, a guy who learns of the madness that comes from visiting Jerusalem, a spooky little story about the terrifying Click-Clacks, and a mythic sci-fi ode to David Bowie.
Many authors are commonly called "magical," but Neil Gaiman deserves the label more than most -- he has a special knack for unpredictability that few authors can even approach. Not only can anything happen in his collections of short stories, but you have no idea what KIND of "anything" will flow from the wellspring of his mind. There's no obvious pattern, no overarching theme that might restrict his imagination.
And that is one of the best aspects of "Trigger Warning." In this collection, Gaiman deftly leaps from the macabre to the whimsical, the gloriously weird to the dramatic, the haunting to the magical. No matter how mundane the setting, he can draw back a veil and reveal something that was hidden from our eyes, whether it's dark magic ("Black Dog," "About Cassandra"), personal tragedy and drama ("Down To A Sunless Sea," "The Truth is a Cave in the Black Mountains") or just the strangeness of the world we live in which we otherwise might not notice ("Jerusalem").
And his writing is no less versatile. While every story is written in a crisp, shimmering style that is very recognizably his, he drifts around through different kinds of stories -- one is told through a questionnaire, another is an overheard monologue, and some are just conversations. What unites them is the glimmering clarity of his writing, full of beautiful similes ("His hair framed his face like a wolf-grey halo") and snappy cleverness ("And pterodactyls have been extinct for fifty million years." "If you say so, dear. Your father never really talked about it").
Neil Gaiman at his best is on display in "Trigger Warning: Short Fictions and Disturbances" -- a collage of shorter pieces, ranging from darkly enchanting novellas to magical little puffs of whimsy. There are more things in heaven and earth than are dreamt of in our philosophy, but a few of them can be found here.
70 of 75 people found the following review helpful.
Gaiman Excels at Short Fiction; Excellent Collection
By Scott Knight
I just finished reading Trigger Warning by Neil Gaiman, and once again he has hit the ball out of the park. This is another fantastic collection of short stories from one of the best story-tellers around. There is no specific theme running through the stories; however, Gaiman mentions that a "trigger warning" suggests that readers should be aware that they may encounter characters or situations that may "trigger" fear or otherwise upset them. (I didn't really see this, although several of the stories are dark, bordering on downright creepy).
While several of the stories were previously published, but they were all new to me. Among my favorites are: A Lunar Labyrinth (very creepy); The Case of Death and Honey (a terrific Sherlock Holmes story which also explains how he seems to live longer than he should); Nothing O'Clock (a Doctor Who story with the Eleventh Doctor: It seemed to perfectly capture Matt Smith's portrayal of the Doctor, and was a terrific read); and Kether to Malkuth (a bittersweet story that seems to be even deeper than it appears, and is hard to explain); and The Sleeper and the Spindle (a cool and unique retelling of the Snow White and Sleeping Beauty stories).
Gaiman is a master at his craft, and like pretty much everything else he writes, Trigger Warning is wonderful. It is immersive and sublime, hiding themes and bigger ideas in prose that is exquisite and easy to read (that should be a book blurb).
One caution - The main reason I wanted to read this book was for the story Black Dog, which closes the collection (it is a sequel to Gaiman's terrific American Gods). Unfortunately, my preview copy did not contain this story, which means I'm going to have to work to track it down.
I highly recommend Trigger Warning. Gaiman fans will love it, and the short story format provides an easy and unintimidating way to sample his works for those looking to read him for the first time.
I received a preview copy of this book from HarperCollins Publishers in exchange for an honest review.
38 of 42 people found the following review helpful.
Escapist fun from an awesome storyteller
By B. Case
Disturbances? Neil Gaiman’s newest short story collection is called “Trigger Warning: Short Fictions and Disturbances.” I just love that last word in the subtitle! It’s such a perfect word to convey the deliciously off-kilter feelings I felt when I read these stories. Even though this book has just been published, I’m already in the process of reading it a second time. I couldn’t resist. Gaiman is such an awesome storyteller and this collection really showcases his creative literary talent.
The first time I read this book, I was swept away with the pure joy of the reading experience. Of course, when the book ended, I felt a big let down. I wanted more stories. We human animals must have some innate longing for myth and fantasy; Gaiman’s stories seem to quench that longing in some essential and primal way. That’s the deep-seated urge that must draw me to his books.
I certainly don’t want to give the impression that I was overjoyed with each and every story. Isn’t it true that none of us ever love every chocolate in a box, every song in an album, or every story in a collection? Some stories are better than others, and a few I didn’t like at all, but in the balance, I was besotted…and that’s coming from a reader who doesn’t particularly like short stories in the first place. But I do love Gaiman, and reading him is all about being transport to another realm of reality, about having your normal everyday emotions disturbed (yes, here’s that word again), about being tipped off balance into a state of wonder, humor, terror, suspense, spine-tingling chills, or a delightful mixture of all of that, and more.
Every one of the stories in this collection was new to me, but as the author explained in the introduction, most have been published before. There are only three totally new stories. The remaining twenty-one were published one or more times in some other venue or media. But few people have been exposed to them there even though a few are major award winners. Most had a previous life as part of a multi-author anthology dedicated to a specific overarching theme. Five stories had a previous life in a multi-author anthology celebrating a famous author, namely: Gene Wolf, Ray Bradbury, Jack Vance, Sherlock Holmes, and Arthur C. Clarke. Two were collaborations with musical drama and performance artist Amanda Palmer. Four were published as stand-alone stories: one for a literary magazine, another for a newspaper, a third for a year-long interactive fan-based Twitter experiment, and a fourth for a BBC Radio 4 production. All are captivating and unique glimpses into the staggeringly creative mind of Neil Gaiman.
Most of the previously published stories in this book probably escaped notice by the lion’s share of Gaiman fans. In today’s world, relatively few people read short stories, especially when they’re published in obscure anthologies. By pulling together all his most recent short stories and selling them in one volume, Gaiman will be able to reach a far larger audience. When done well, short stories are the gems of the literary world. Gaiman’s short fiction deserves to be read and treasured. I rediscovered that while reading this book. I’d forgotten how marvelous short stories can be when they’re told by a master storyteller.
The collection is aimed at adults, but I’m sure Gaiman’s legions of young adult fans will love this book, too. None of the stories in this collection are appropriate for young children: this is not because they may cause nightmares, but rather because they deal with adult themes that children will not comprehend.
I loved this book. It was full of enchanting stories that delightfully disturbed my senses and inhabited my heart.
For those of you who may have encountered a good number of Gaiman’s short stories elsewhere, here a list of the stories in this book:
Making a Chair
A Lunar Labyrinth
The Thing About Cassandra
Down to a Sunless Sea
“The Truth Is a Cave in the Black Mountains…”
My Last Landlady
Adventure Story
ORANGE
A Calendar of Tales
The Case of Death and Honey
The Man Who Forgot Ray Bradbury
Jerusalem
Click-Clack the Rattlebag
An Invocation of Incuriosity
“And Weep, Like Alexander”
Nothing O’Clock
Pearls: A Fairy Tale
Kether to Malkurth
Feminine Endings
Observing the Formalities
The Sleeper and the Spindle
Witch Work
In Relig Odbr�in
Black Dog
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